Thursday, April 9, 2015

Lol.Shakespeare's plays reveal his psychological signature



Shakespeare is such a towering literary figure that any new insight into the man, or his work, tends to generate a jolt of excitement in academic and non-academic communities of Shakespeare aficionados. Applying psychological theory and text-analyzing software, researchers at the University of Texas at Austin have discovered a unique psychological profile that characterizes Shakespeare's established works, and this profile strongly identifies Shakespeare as an author of the long-contested play Double Falsehood.

The findings are published in Psychological Science, a journal of the Association for Psychological Science.

"Research in psychology has shown that some of the core features of who a person is at their deepest level can be revealed based on how they use language. With our new study, we show that you can actually take a lot of this information and put it all together at once to understand an author like Shakespeare rather deeply," says researcher Ryan Boyd of the University of Texas at Austin.

The study, conducted in collaboration with James Pennebaker, also at UT-Austin, goes beyond examining authorship from the standpoint of word counts and linguistic regularities, providing a deeper exploration of an author's psychological profile.

"This research shows that it is indeed possible to start modeling peoples' mental worlds in much more complete ways. We don't need a time machine and a survey form to figure out what type of person Shakespeare was—we can determine that very accurately just based on how he wrote using methods that are objective and easy to do," Boyd explains.

Double Falsehood was published in 1728 by Lewis Theobald, who claimed to have based the play on three original Shakespeare manuscripts. The manuscripts have since been lost, presumably destroyed by a library fire, and authorship of the play has been hotly contested ever since. Some scholars believe that Shakespeare was the true author of Double Falsehood, while others believe that the play was actually an original work by Theobald himself that he tried to pass off as an adaptation.

Boyd and Pennebaker realized that using psychological theory to inform analysis of the playwrights' respective works may shed light on the authorship question. They examined 33 plays by Shakespeare, 12 by Theobald, and 9 by John Fletcher, a colleague (and sometime collaborator) of Shakespeare. The texts were stripped of extraneous information (such as publication information) and were processed using software that evaluated the works for specific features determined by the researchers.